On poetry – Part 2: Great books for reading and writing poetry

In my last post, I discussed how important it is to both read and write poetry to fully understand and appreciate it. I also pondered on the fact that poetic form and structure is not really taught in school any longer, nor is actually writing poetry particularly encouraged, and that this perhaps contributes to the general feeling of ill-ease which most people feel towards poetry. Yet, as I admitted, despite spending the first two decades of my life loathing poetry, I eventually changed my attitudes through learning to write poetry in its many forms and following its many varying rules, and this in turn helped me to enjoy reading poetry, as well.

Now I would like to share some fantastic books that may help you to appreciate both reading and writing poetry, whether you’re a reluctant novice or a seasoned poet. I will begin with a book that takes us right back to the basics of poetry, then move on to an anthology of poetic forms, before moving on to a more broader volume of poetry that encompasses the art form from the last few millennia.

The Ode Less Travelled: Unlocking The Poet Within by Stephen Fry

This probably won’t come as a much of a surprise, but Stephen Fry loves poetry, and it has long been a hobby of his. In this book, he strips poetry down to the absolute basics, breaking it into four sections. First, he introduces us to metre, including different metres, iambs, end-stopping, enjambment and caesuras, and much more. Secondly, he explains rhyme, including different categories of rhyme, arranging rhyme, and what makes good and bad rhyme. Next, he goes into form, covering the stanza, why to bother with form at all, ballads, heroic verse, odes, closed forms such as villanelles and sestinas (and many more), comic verse such as the cento and limericks, exotic forms such as the haiku and senryu, sonnets, and shaped verse. Lastly, he looks at diction and poetics in today’s world.

What makes this book great, apart from the fact that it breaks down poetry to the fundamentals, is that with each section Fry has included a number of poetry exercises to help you master it skill by skill. He even includes a “how to read this book” foreword that explains how to make the most of these exercises. To top it all off, he is very enthusiastic and quite entertaining in his explanations, writing in a precise and accessible manner that will enable poets of all levels to gain something from reading this book. An absolute must read for budding poets everywhere.

The Making of a Poem: A Norton Anthology of Poetic Forms by Mark Strand and Eavan Boland

This book differs substantially from Fry’s book, and focuses much more on the actual poetic forms themselves. It is a book often used for studying poetry at a university level, but you don’t need to be a university student to get something out of this book – you just need to be curious and open-minded. It is perhaps the most comprehensive listing of poetic forms, covering most of the major verse poems,  shaping forms such as elegies, the pastoral, and the ode, and also open forms.

What is remarkably useful about this book is that for each poetic structure, a dozen or so poems of that form are supplied to help you come to grips with how the form works. Often the poems range dramatically in terms of when they were written, so as to show how the form has evolved over time, and so often you will find classical poetry mixed in with quirky, contemporary poems that play around with the conventions of each form. This is definitely a book for those who feel a bit more confident with the basics of poetry and want more of a challenge.

Poetry For The Spirit: Poems of Universal Wisdom and Beauty edited by Alan Jacobs

This book is only an anthology of poetry to read, but it is an amazing anthology. It focuses on spiritual poetry, and ranges from over 4000 years ago to the twentieth century, presenting the poetry in chronological order, from pre medieval times, to medieval times, and then century by century. As a large amount of poetry throughout history has explored this side of human existence, whether directly, or indirectly through themes of nature and life itself, this anthology says just as much about the evolution of poetry as it does the evolution of spirituality. I would recommend this book to anybody looking for some inspiration in their poetry writing, as you are bound to find some here.


So, there we have it. I will probably do more posts in the future on poetry, and perhaps will explain some of my favourite poetic forms, to illustrate why I believe knowing poetic form is so important to enjoying poetry on any level. But for now, if you have always wanted to write poetry but have never known where to start, these books should help set you on your way, especially the first two books.

Do you know of any books that look at poetry that you have found particularly useful?

10 thoughts on “On poetry – Part 2: Great books for reading and writing poetry

  1. Pingback: Poetry Writing Month – because what I needed was another writing challenge… | wantoncreation

  2. I’m adding the Norton Anthology to my TBR list. I’m excited that it gives examples of the different forms. What better way to discover poetry you like than by learning about the different types and reading examples of them?! I’m also interested in how/why different forms are used. Does it go into that?

    • Yeah it does actually. With each form, before the examples, it has a page that explains the basics of the form step by step, then it has a brief history of the form, explaining how it came to exist at all, and then a page or two on the contemporary context, explaining how it is used today, and if possible, why. So for example, one of my favourite forms (which will be getting its own blog sometime today) is the Villanelle, a form which is quite circular in its structure, stopping any linear narrative from forming, and giving it an almost song-like quality, which is what has drawn a lot of contemporary poets to it, because it helps keep it almost relevant and possible to relate to, despite it being a four century old form. With its forced repetition of particular lines, it beings a focus to a particular theme or mood or emotion in a way other forms cannot.
      Anyway, I rambled on a bit there, but all that information essentially is in the book. It also has a close-up analysis of one particular poem (and the poet) for each form, which is quite useful! 🙂

  3. Pingback: On Poetry – Part 5: Comic Verse – The Limerick, The Cento, and The Clerihew | wantoncreation

    • Awesome! They’re all great books in their own way, and they also helped me to write some of the later On Poetry posts that I wrote over the course of April! Hope you enjoy them when you get them. 🙂

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