Sunday Sounds #7

The World WarriorsThe World Warriors by Velociraptor

Velociraptor are an awesome garage-pop band from Brisbane, largely inspired by the sixties music scene. They take their love for times past one step further with this 8 song EP, with its clear 80s arcade-game themed cover art, not to mention this theme transferring into the video clips they’ve made for several songs off this short album. There’s a lot of energy here, and considering they’ve gone from a 3 piece to a 12 piece band, I can safely assume they would be amazing live. The song I’m including is a fun clip called “Riot” – even if you don’t like the music, it’s hard not to enjoy the film clip:

My Head Is An AnimalMy Head Is An Animal by Of Monsters And Men

I’m not entirely sure if I even need to introduce these guys, considering their enormous success over the past year around the world (the clip I’m posting up has 50 million views on Youtube, to give you some clue as to the size of their popularity). The folk/pop/rock band from Iceland released an album that is at once catchy and quite intelligent, rarely becoming repetitive throughout (something which is an issue with some of these newer folk bands, not naming any names (oh okay, Mumford & Sons. There, I said it)). They have an enormous following in Australia, gaining number one status with their album, and almost topping the Triple J Hottest 100 list for last year (they came second). Their biggest single, “Little Talks”, has a pretty cool clip too:

Variations On A DreamVariations On A Dream by The Pineapple Thief

Those who read my list of favourite albums from 2012 will remember me mentioning these guys then with their latest album. Variations, however, is one of their oldest albums, initially released in 2003. At this point their sound was much more progressive, and a lot less hard rock, with several songs on the album hovering between five and ten minutes in length, slowly building layer upon layer. There is something similar through all their albums though in the way that the songs are written, and there is always a certain beauty to them which has drawn me in (this was the first album of theirs I heard, and I was an instant fan). This song, “Part Zero”, while showing their influences quite clearly, is a good example of how the album sounds on the whole:

What have you been listening to this week? What do you think of the albums on my playlist this last few days?

My Top 10 Albums of 2012

This has been an amazing year for music, so deciding on a top 10 albums list has been verging on the impossible. My first short-list consisted of 48 albums, and this was then short-listed down to 23 before deciding on the final 10.

With each one I’ll briefly describe the album, my reasons for choosing it, and will also include clips of my favourite songs. Enjoy!

The Late Blue10. The Late Blue by Gypsy & The Cat

Gypsy & The Cat are a duo from Melbourne, Australia, who debuted in 2010 with a synth-pop album of sorts titled Gilgamesh, which proved a hit both with the alternative and popular crowds. This second offering, while retaining the general dreamy feel of their first album, is much more psychedelic in sound and influence, and includes less synth, more real instrumentation, and a lot more experimentation. As far as I’m concerned though, they pulled it off quite well, and I think this album absolutely deserves to be on this list.

Kisses On The Bottom by Paul McCartney9. Kisses On The Bottom by Paul McCartney

I’ll admit it – I really like Paul McCartney’s music, and I think some of the best material of his career has appeared in the last decade or so. With this album, he covers some of his favourite songs from his childhood, mostly from the first half of last century, and many of these songs aren’t necessarily well known songs but ones which have a special meaning for McCartney himself. The album is a beautiful easy listening album, this ex-Beatle asserting himself as a successful crooner. It also features two original songs, including My Valentine, which was released as a single.

Something by Chairlift8. Something by Chairlift

Chairlift are another indie band with that electro-pop feel to them. This is their first album since one of their founding members left, but to my ears this album sounds much sharper and focused than their earlier work, being both catchy but also quite layered and clever, and I listened to this a lot at the start of this year. If you listen to the song below that I’ve included, make sure you listen to the whole song – one of my favourite moments on the whole album is towards the end of this song (about three or four minutes in if I remember correctly).

Rattle Them Bones7. Rattle Them Bones by Big Bad Voodoo Daddy

Big Bad Voodoo Daddy are among several bands who were part of the big band and swing revival of the 90s, and they have managed to remain successful, innovative and relevant ever since. This, their latest offering, is one of their most energetic albums to date, with a mixture of covers from prohibition era America through various swing sounds to relatively modern ground, as well as half a dozen songs penned by talented frontman Scotty Morris. Even if you don’t listen to this style of music, you’ll struggle not to tap your toes to this brilliant album that shows a unique band at their creative peak.

All The Wars6. All The Wars by The Pineapple Thief

After spending a decade or so playing around with prog rock, The Pineapple Thief have more recently started to branch out toward different sounds which has resulted in increased success for the band in both album sales and touring. Their latest album retains the intelligent song writing from their earlier career, while cutting a fine balance between hard hitting heavy rock songs and beautifully layered alternative rock. This album shows a band who is growing, and is clearly destined for greater things – a band to watch, in other words.

Beard Wives Denim5. Beard, Wives, Denim by Pond

Psychedelic rock has been making a comeback in recent years, owing in particular to the success of Tame Impala, a band who shares several members with Pond. This album, Pond’s fourth, is by far one of the best and most fun psychedelic rock albums in years. While many bands aiming for this sound write slow, trippy songs, this album is utterly bursting with energy, with songs taking influences from 60s and 70s rock, but still retaining an appealing modern sound and a great sense of humour (typical Aussies). If you want a rock album to actually rock out to, go no further than this!

Leave Your Soul To Science4. Leave Your Soul To Science by Something For Kate

Something For Kate are a three piece alternative rock band from Melbourne, Australia, and have had quite a large following in Australia for the last decade and a half. After taking a break while frontman Paul Dempsey released his stunning solo album Everything Is True, they have returned with this, their sixth album, with a new energy and approach. The album is daring and varied in musical direction, being hard to pin down to any one style, the lyrics are poetic and philosophical though also humorous, and the song writing is absolutely first class. This album was a reminder of why Something For Kate has been a favourite band of mine for so many years.

Rhythm and Repose3. Rhythm & Repose by Glen Hansard

Glen Hansard is no newcomer to the music world, having been frontman for much loved Irish band The Frames, star of award winning film Once, and one half of the duo The Swell Season. However, on this, his first solo album, we hear a very different Hansard. This is the quietest material he has ever written, and while some critics have viewed this negatively, I think they are simply disappointed that it isn’t as loud as his older music. But for me, the intimate intensity of his singing, the restrained and gentle guitar playing, and the haunting melancholy that lingers throughout the record all contributes to what is quite a good album. Don’t judge this on your first listen, it takes several plays before you can fully appreciate the subtle brilliance at work here.

Rufus-Wainwright-Out-of-the-Game-600x6002. Out Of The Game by Rufus Wainwright

After the melancholy and intimate sound of Rufus Wainwright’s previous album (which featured only vocals and piano), he wanted to return to a more upbeat pop music sound on this, his seventh album. And that is exactly what he does, but not without keeping that incredible song writing, big instrumentation and simply huge voice of his. Though the pop styled songs that fill most of the album are fun, my favourite three songs are the last three, and are probably the most serious too, but these last three songs are among the most beautiful Wainwright has ever written. This album ranks among the best work of a man who has already established himself as a musical genius.

Storm Corrosion1. Storm Corrosion by Storm Corrosion

I think when I first finished listening to this album the whole way through, halfway through the year, I knew there and then that this was my favourite album of the year. A collaboration between English prog rock genius Steven Wilson (of Porcupine Tree, Blackfield, a solo artist, and various other bands), and Swedish prog metal artist Mikael Åkerfeldt from the band Opeth, this album interestingly sounds like nothing either have done before. It’s progressive alright, but it’s so quiet it barely contains drums for the majority of the six track album. But the songs are ambient, orchestral, haunting, even disturbing in places, yet also beautiful and intense. It is hard to describe this album, but it is one of the most ambitious and brilliant albums I have heard in a long time, and I have no hesitation in declaring it my favourite album of 2012.

This was truly a tough Top 10 to decide, and what astounds me are the artists I cut, as many are among my favourites – Martha Wainwright, Ben Folds Five, Dave Matthews Band, Regina Spektor, Band of Horses, Metric, Serj Tankian…there were so many who just didn’t quite make the final group. But it is what it is, and for me I feel I have chosen ten albums that left the biggest mark on me this year.

What were your favourite albums of 2012? Do you think it was a good year for music as well?